Long before the Moorish invasion in 711, Visigothic Spain had adopted its own liturgical musical forms, the Visigothic or Mozarabic rite, strongly influenced by Byzantium. Other hypotheses concerning the term's etymology include connections with Flanders (flamenco also means Flemish in Spanish),Д«elieved by Spanish people to be the place of origin of the Gypsies.ДЇor a complete picture of the possible influences that gave rise to flamenco, attention must be paid to the cultural and musical background of the Iberian Peninsula since Ancient times.

Infante links the term to the ethnic Andalucians of Muslim faith, the Moriscos, who would have mixed with the Gypsy newcomers in order to avoid religious persecution. Yet there is a problem with this theory, in that the word is first attested three centuries after the end of the Moorish reign. In his 1842 book Zincali, George Borrow writes that the wordД«las Infante, in his book OrГgenes de lo flamenco y secreto del cante jondo, controversially argued that the word flamenco comes from Hispano-Arabic word fellahmengu, which would mean 'expelled Whatever the origins of the word, in the early 19th century it began to be used to describe a way of life centered around this music and usually involving Gypsies. There are questions not only about the origins of the music and dances of flamenco, but also about the origins of the very word flamenco.

This started to change in the late 1970's and 1980s, when a growing number of musicologists and historians began to carry out more rigorous research. Nationalistic or ethnic bias has also been frequent in Notes by foreign travellers like George Borrow, a few accounts by writers and the oral tradition), and they have often ignored other data. They have tended to rely on a limited number of sources (mainly the writings of 19th century folklorist DemГіfilo, 'Flamencologists' have usually been flamenco connoisseurs of diverse professions (a high number of them, like FГ©lix Grande, Caballero Bonald or Ricardo Molina, have been poets), with no specific academic training in the fields of history or musicology. There was a lack of interest from historians and musicologists.

The non-gypsy Andalucian poorer classes, in general, were also illiterate.Д¤. Their songs were passed on to new generations by repeated performances within their social community. The Gitanos have been fundamental in maintaining this art form, but they have an oral culture. Many of the songs in flamenco still reflect the spirit of desperation, struggle, hope, and pride of the people during this time of persecution.ДЈ. The Moors, the Gitanos and the Jews were all persecuted, and the Moors (moriscos) and Jews were expelled by the Spanish Inquisition in 1492. The turbulent times of the people involved in flamenco culture. Other art forms among the middle and higher classes.ДЇlamenco music also slipped in and out of fashion several times during its existence.Дў. Flamenco sprang from the lower levels of Andalucian society, and thus lacked the prestige of There are several reasons for this lack of historical evidence:ДЎ. Many of the details of the development of flamenco are lost in Spanish history.

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